Preview: H.A.R.D. Corps to Return in Harbinger Wars

The upcoming Harbinger Wars mini-series is already my most-anticipated comics event of the summer, but my enthusiasm has just reached a fever pitch with Valiant's announcement today that the H.A.R.D. Corps will be debuting in the new Valiant Universe in Harbinger Wars #3.

I was just reading the original, chromium cover H.A.R.D. Corps #1 this weekend, and was reminded just how great of a concept this series had, and how well it could do in the present Valiant Universe if executed properly by the right creative team.

The Harbinger Active Resistance Division (or H.A.R.D. Corps) are a mercenary outfit employed by Omen Industries, a corporation with an opposing interest to those of Toyo Harada and the Harbinger Foundation.  The H.A.R.D. Corps themselves are comprised of ex-military vets who have been awakened from comatose states, and given the option to live again and work for the H.A.R.D. Corps.  They're granted Harbinger powers from a computer network named Softcore, and can use any number of powers, one at a time.  The catch is that each member of the H.A.R.D. Corps is implanted with a kill switch, that will cause their heads to explode if they are caught or go rogue.

With the war between Project Rising Spirit and the Harbinger Foundation bringing the corporate espionage of the Valiant Universe to the forefront in this crossover, it'll be very interesting to see how the H.A.R.D. Corps are going to affect this dynamic, or what role they will play.

In short, F.U.C.K. Yes, H.A.R.D. Corps!

So many comics, so little time.

As Courtney mentioned last week, we haven't quit reading comics (you'd have to pry them from my cold dead  hands!) but between getting sick with the flu for a week, writing our theses, and starting a new full-time job, we have very little free time to update this blog.  We're not about to give up blogging, but you can expect our posts to be more infrequent until things quiet down.

I've also been cutting a lot of the fat from my pull list, as DC continues to bore me with what I've felt are a lot of really mediocre comic books.  Clearly there is a lot of restructuring going on  there, what with people being let go and then rehired, and then books being announced only to be cancelled before they are published. Something is clearly rotten in the state of Denmark, but in my opinion you could tell that from the low quality titles they've been publishing for the last few months. Once the Rotworld  story arc ends in Animal Man and Swamp Thing, I'll be dropping both of those titles, I doubt Dial H has much of a future, considering how quickly DC is cancelling low-selling titles these days.  If I'm really honest, the only book I'm really enjoying from DC right now is Wonder Woman.

Marvel Now, on the other hand, has been a huge surprise. There are a lot of comics I'd like to read but won't for budgetary reasons, but a lot of titles I've taken a chance on (FF, Avengers Arena, Deadpool, All New X-Men) have been routinely entertaining.  All New X-Men is my most-anticipated book every month, which is something I never thought I'd say.

My enthusiasm for Valiant comics has been cooling off over the past few months. X-O Manowar and Bloodshot just were not meeting my expectations, and neither has Shadowman, so I've dropped each of them from my pull list.  Harbinger has been getting better with every issue, and from a story perspective, is one of the best mainstream comics being published today. My only issue with Harbinger is the art often looks rushed and inconsistent. Warren Simons, get a regular artist on this book now! Archer and Armstrong was the title I was looking forward to the least when it was first announced, but it's actually a lot of fun, and is maybe the most consistently good book Valiant is putting out each month.

Last year everyone was raging about  Image Comics and creator-owned books, and while I am all for more independent creators, not many of the books Image is publishing these days appeal to me. Of course I'm still reading Saga, Prophet, and The Manhattan Projects, but beyond that? I would love to read more Image Comics, but honestly, they're just not publishing a lot of books that appeal to me lately.

So what am I most enthusiastic about lately? Well, that would be my growing stack of hardcovers and trade paperbacks.  I went a little overboard during the holiday season, and now have a ton of books that I still have to read. I rediscovered my love for Alejandro Jodorowsky's comics last year when a friend of mine gave me a copy of Screaming Planet as a Secret Santa gift, not knowing that years ago I was completely gaga for all the Humanoids stuff back when they still had a distribution deal with DC. Now, Humanoids Inc. has retrieved all the publishing rights to their stuff, and have been re-releasing their comics in ultra-rare, premium oversized hardcovers.  Just in the past month alone I've purchased The Incal, Before the Incal, Megalex, The Technopriests: Supreme Collection, The Metabarons: Ulimate Collection, and The Metabarons: Supreme Collection, all in their hardcover glory.  Of those, I've only had time to re-read The Metabarons, and about half of The Technopriests.

I could go on and on forever about the greatness of Jodorowsky and his sci-fi epics, but needless to say, if you've never read The Metabarons or any of the comics I've just mentioned, go buy them before their disappear again. It could be years before they become available again in English, and they are some of the greatest sci-fi epics ever written in the medium.

As if all that wasn't enough, I've started going back to the Judge Dredd Complete Case Files that I bought last summer, and have been rediscovering my love of Dredd. I think I went about reading those graphic novels the wrong way last summer. As much as I appreciate having been able to read some of Dredd's earliest adventures in The Complete Case Files Vol. 1, I would really recommend that new readers not start with that first volume, but instead, start with one of the mega-arcs like The Cursed Earth, The Day the Law Died, The Apocalypse War, or Judge Death.  Speaking of Dredd, lately I've been discovering a lot of the 2000AD stuff that, being a Canadian, I've never really had the opportunity to read. In particular, I've really been enjoying what I've read of Pat Mills' work on ABC Warriors and Nemesis the Warlock. Unfortunately, it looks like a lot of the ABC Warriors stuff is very hard to find, and very expensive.

Oh yeah, and I've got Matt Wagner's Grendel Omnibus, Volume 2: Devil's Legacy to read as well.

So what am I doing wasting my time writing here, I've got comics to read!

Christian's Week in Comics 17/10/12: Marvel Point One, Harbinger #5, Captain Marvel #5

Marvel NOW! Point One
Writers: Various
Artists: Various
Marvel

So since I enjoyed Uncanny Avengers a lot more than I expected, I've decided to give some of the Marvel NOW! books a chance, starting with the latest Point One issue.  First off, holy crap. This thing cost $5.99! I don't care if it's 64 pgs. For something that is basically just a glorified Previews catalog, I'm stunned. I bought it, because I'm a sucker, but damn Marvel.

So what did I think? Well, let's just say that out of the six titles previewed in this issue, at least four are on my Watch List and two are instant buys when their first issues come out. All in all, I thought it was pretty okay.

Nick Spencer and Luke Ross' Secret Avengers story didn't interest me in the least. This didn't surprise me, as I'm no fan of Spencer's writing in general. It's an overly talky scene that tries too hard to be clever and doesn't leave me wanting more. Moving on: Bendis and McNiven's Guardians of the Galaxy teased the new origins of Peter Quill, Starlord, but didn't leave me wanting more either. Instead, it just left me wondering why Bendis is writing Marvel Cosmic stories. Hmm. Is it just me, or have the Skrull's uniforms and weapons been retconned to make them look more like the Chitauri?

A big surprise for me was Jeph Loeb and Ed McGuinness' take on the new, kid-friendly Nova. I was expecting to hate this, but as it turns out, it was one of my favorite stories in the book. A small, self-contained adventure with Nova squaring off against one of his predecessors enemies, Diamondhead. Loeb seems to be having fun with this character, and that exuberance also comes across in McGuiness' cartooning, which is in fine form. I never thought I'd be saying this, but I am excited for a Jeph Loeb comic.

Kieron Gillen, Jamie McKelvie and Mike Norton's Young Avengers was the highlight of the issue for me. Watching Miss America throttle Kid Loki over a plate of Korean BBQ was a thing of beauty. As it stands, this is one of my most anticipated titles of the relaunch. I will buy this without hesitation.

Matt Fraction and The Allred's FF story featuring Scott Lang as Ant-Man was a tragicomic story with some great art, but the more I thought about the odd storytelling choices and character motivations, the more I decided I didn't like it as much as my first impressions suggested. Lang wants revenge at Dr. Doom for killing his daughter, and he decides to vandalize his art show? Really? I love Mike and Laura Allred's work, but Fraction is on thin ice with me. This is a wait-and-see title.

Closing out this issue was a story previewing Cable and the X-Force by Dennis Hopeless and Gabriel Hernandez Walta, which is weird, because I'm pretty sure Salvador Larocca is scheduled to be the artist on the actual series. Again, I have to admit I'm shocked. Cable and the X-Force was not a comic I was looking forward to at all, but this weird little story featuring a future-shocked Forge repairing his own broken mind (I think?) and then ending the story with Cable and his little withered arm, was a strange but pleasant little surprise. This is definitely a title I'll be looking into when it debuts in December, and I haven't been excited about Cable since I was 10.

So there you have it. At $5.99, this is a steeply priced set of Previews, but at least 65% of the book was worth it, and now I'm excited about a handful of titles that I'm now looking forward to.

Harbinger #5
Writer: Joshua Dysart
Artist: Khari Evans
Valiant

Five issues in, and I think it's safe to say that Harbinger is my favorite title of the Valiant relaunch. Everything about this book excites me. The complicated drama, the intense level of emotion poured into the characters, the awesome display of psychic powers, and the complex real-world politics that the book deals with on a regular basis.

This was the most intense, action-filled issue of Harbinger yet. Grieving and full of rage after discovering the body of his murdered friend Joe, Pete Stanchek takes the fight directly to Harada, but of course things get more complicated than that. For more of this series, I have been very critical of Pete's actions and have found him to be a very selfish and destructive character. And yet, when he tells Harada, "the thing you've never understood about me Harada, [is] I was born to die" struck me as such a tragic statement that completely underscores where Pete is coming from.

As a person who has spent most of his life in institutions and struggling to survive in poverty on the streets, Pete's entire life has been one of desperate, leading towards death. He's never really known love (except when he forced Kris to love him), and barely knows how to respond to basic kindness. Pete is a damaged person, but he isn't worthless and he can't just be used like some pawn on a giant chess board. Pete's always known that life was a brutal game and he's been on the losing team since birth.

That's a long way of saying you should definitely be reading Harbinger. It is one of the best comics on the stands currently, and is more essential and relevant than anything being currently published by Marvel or DC.

Captain Marvel #5
Writer: Kelly Sue DeConnick 
Artist: Emma Rios
Marvel

I was very critical of the first issue of the relaunched Captain Marvel series. Unfairly so. I am happy to report that this comic has been steadily improving with every issue. This issue continues where the last one left off, with Carol Danvers trapped in the past and trying to befriend her hero, who sees her more as competition than a comrade. The writing in this book has gotten much better. The rhetoric I complained of in the first issue has been toned down considerably, but this book is no less about women kicking ass in World War II. It's awesome.

Another improvement in this issue is the art by Emma Rios. Hers is the kind of expressive, impressionist art I'd expect more from an Image book than a Marvel comic. I love it, with one caveat: what the hell is wrong with Carol's face? Seriously. I am over the costume. I think the costume is bad-ass. Seeing photos of people cosplaying in the new Captain Marvel suit convinced me that it is an improvement over the Ms. Marvel getup. Seriously though, Carol's face in this issue is messed up.

I've been reading comics with a domino-mask wearing Danvers for years, and I never had a hard time recognizing her face. In this issue, there were several times when I lost track of who the hell she was. I understand that each artist wants to put their own individual stamp on the character, I get that, but at least try to make the character's facial features somewhat consistent with past appearances.

These minor gripes aside, this was a pretty good book, and makes me hope that someone at Marvel Studios has plans for Carol Danvers. I would love to see Captain Marvel in Avengers 2 or Guardians of the Galaxy.

Advance Review: Archer & Armstrong #2

Archer & Armstrong #2
Writer: Fred Van Lente
Artist: Clayton Henry
Color Art: Matt Milla

I enjoyed Archer & Armstrong's debut last month, but I know a lot of people had their issues with it. After reading this second issue, I think that Archer & Armstrong is Valiant's biggest shot at a mainstream comics hit.

Archer & Armstrong does a great job of mixing humour with globe-trotting adventure, martial arts action, and a heavy dose of satire directed mostly at conspiracy theory nuts who can't get enough of hack genre fare like The Da Vinci Code or the National Treasure movies.

This issue finds Archer & Armstrong making a temporary alliance to find the pieces of the Boon before The Sect (aka The 1% aka The Cult of Mammon) can. They travel to Italy and meet a tommy-gun toting nun named Tommy who helps them break into the secret Vatican vaults (of course) which contains another piece of the Boon, but not before encountering the The Sisters of Perpetual Darkness, black-eyed ninja nuns who lurk in secret Vatican crypts and who may-or-may not be vampires, it's hard to tell honestly.

Like many of the artists in the Valiant relaunch, Clayton Henry is someone I'd never heard of before, but who is doing a great job on this title. More than any other book, Archer & Armstrong reminds me of a Marvel comic book in terms of style and tone, and while that might not appeal to readers of Harbinger or Bloodshot, it has a better chance I think of appealing to readers outside of Valiant's hardcore fan base.

I wouldn't want every Valiant book to be like this, as I'm currently loving the more realistic take on science fiction featured in Bloodshot and Harbinger, but it's a nice change of pace and a hell of a lot more fun than most books I'm reading from Marvel and DC these days.

If none of the other Valiant comics have appealed to you so far, give Archer & Armstrong a try. If you are following the other Valiant titles, then let me tell you that this is one comic you don't want to miss.

Advance Review: Harbinger #3

Harbinger #3
Writer: Joshua Dysart
Artists: Khari Evans & Lewis Larosa
Colours: Iain Hannin
August 15, 2012
Valiant

The first two issues of Harbinger have been very good at establishing Peter Stanchek as a character and  setting up the events that have created both his personality, and the world around him. These issues have introduced readers to the modern life of a psychologically unstable youth with incredible psychic abilities, and we have seen first hand what can happen when he uses those powers irresponsibly.

Issue #3 finally introduces us to the Harbinger Foundation, to Toyo Harada and his vision of the world, and to what happens when a young harbinger like Peter Stanchek is discovered by Harada and his vast international network.

Joshua Dysart has done an excellent job in updating Harbinger to fit our modern context, a period of 21st century late-capitalism, when corporate control over our daily lives far exceeds government intervention. When Peter snidely remarks to Harada that he wasn't aware he was escaping his life on the run just to work for a corporation, Harada tells Peter matter of factly, "we're not a corporation Peter, we're a culture," and it struck me as the single-most insightful thing I've read in a comic book in months, if not this year.

More than any other writer currently working for Marvel or DC, Dysart seems to appreciate just how outmoded the old paradigm of the individual vs. the corporation is in a world where corporations like Apple and Google control not only the dissemination and consumption of mass media, but are incorporated by individuals as defining factors of their personalities. These companies influence more than our lives, they influence how we think about ourselves, the construction of our very identity, and conversely, how we relate to other people with similar brand identifications. Apple and Google know that they have become lifestyle brands, and Dysart knows this as well.

Dysart and Evans recognize the impact these kinds of corporations have had on our society since the initial Harbinger series, and it shows in their representation of Harada and his network of corporate interests, from his goal of species cohesion (which sounds vaguely like Rupert Murdoch's crypto-fascist delcaration of "all media are one") to the branding of the world's most popular search engine as "Toyo." This series has officially raised the bar for any comic book series looking to tackle the individual vs. the corporation story.

Clearly, this is thought-provoking stuff, but is it any fun to read? Thankfully I can say without reservation that yes, this book is full of excitement and this issue gives us a real taste of the kind of full-on psychic battles I'm sure we'll be seeing more of as this series progresses. Khari Evans art has been improving with each issue, and this issue reached the highlight of the series thus far when he depicted a fight between an angry Peter and the assistant instructor of the Harbinger school.

It was a short, but satisfying battle between two psychics, and I can't wait to see more combat like this in upcoming issues.The action was flashy and electric but maintained a level of plausibility throughout, and it was easily more engaging than any fight between Marvel's heroes that I've read lately.

I should also mention that Lewis Larosa's art, seen in the flashback scene depicted in this preview, is a sight to behold. It fits the tone of Dysart's writing so well in this scene, and I hope that he continues to be a part of this book because I want to see more art this good.

Which brings me to another point, which I'm sure you'll hear from other writers: this is how a comic book about teenagers with powers should read. There hasn't been a New Mutants, Teen Titans, or equivalent teenage superhero book this good in years.

If you ever liked the concept of teenagers learning to use their powers responsibly and have taken that premise seriously, then you need to read Harbinger.

As a fan  of the original series from the 90s, I was cautiously optimistic that this reincarnation would live up to its predecessor, but if this series continues to be this good I am confident in saying that the new Harbinger will surpass the original in terms of overall quality.

This is a thought-provoking, frequently challenging work of art that like another comic I'm really enjoying these days, Saga, makes just about everything else in the mainstream comics biz look like it was produced by rank amateurs.

There is so much more I want to say about this book, but I want you to discover it for yourself. If you've held off on Valiant or this series so far, head to your local comics shop this Wednesday or go to Comixology and buy the first three issues of this series right now.

If you enjoy mature stories in realistic settings that deal with contemporary issues like the ones I've described above, then you will love Harbinger.

Don't make me use my mind powers on you.

Harbinger #2

Harbinger #2
"Omega Rising: Part Two"
Writer: Joshua Dysart
Artist: Khari Evans with Lewis LaRosa
Colours: Ian Hannin with Moose Baumann
July 11, 2012,
Valiant

Okay. As with my review of Bloodshot #1, to even speak about what was good about this issue of Harbinger is going to require some Spoilers. You have been warned.


Like the beginning of Harbinger #1, this issue opens with another memory of Toyo Harada's. This time, Harada is older, and is in Dharavi, Mumbai, India to investigate the birth of young harbinger; one with the power to make you relive your worst memories, more powerfully than when you first experienced them.

After a powerful scene involving a memory that gives us some important context to understanding Harada as a character, the plot picks up where Issue #1 left off with Pete, Kris, and Joe surrounded by armed soldiers from a mysterious organization being led (or coordinated) by the Mr. Tull, whose memories have been erased countless times by Pete.

Harada, speaking to Pete through his mind and using his powers to convince everyone that he is a dog, refuses to help Pete unless he unleashes his powers on the soldiers. Pete relents, and we see just how out of control of his own abilities Pete is as he is unable to calm down after injuring, and possibly killing, dozens of soldiers with his mind alone. Fans of Katsuhiro Otomo's Akira will find a lot to like about this issue of Harbinger.

Khari Evans' art has really improved with this issue, and he completely nails the realistic, modern day look and feel that this title aspires to. Unlike the debut issue, there are no panels with unclear or obscure depictions of what is happening. Everything in this comic made sense, from the character reactions and motivations to what was being depicted in the panels. The flashback scene involving Harada was especially well done. Likewise, Ian Hannin and Moose Bauman deserve their credits for the really great lighting and colour effects in this book.

I had just one issue with the production of this book: the lettering of the sound effects. I know. I know. This is the most nitpicky thing to criticize, but compared to the rest of the lettering in the book, the bright green, yellow, and red lettering of the sound effects just looks amateurish and cartoony, and detracts from the otherwise realistic style of the book.

This issue clarified a number of questions raised in the first. For example, not only do we learn what organization Mr. Tull and his soldiers represent, and what their motives are, Spoilers we learn enough about what happened between Kris and Pete in the first issue to reasonably suggest that if Pete did not actually use his powers to rape Kris, she was definitely sexually assaulted by him. Personally, I think her cries of "What did you do to me?...I'll kill you!...I'm going to cut your balls off you son-of-a-bitch!" pretty much says it all. End Spoilers. 


As a fan of the original Harbinger comics from the early 90s, I love the direction that Joshua Dysart and co. are taking this series, and cannot wait to see what happens when Pete is transported to the Harbinger Foundation in the next issue. 

Harbinger #2 is a very good follow up to a great debut. If you like superhero comics that deal with mature themes and are grounded in unflinching realism, I cannot recommend this title enough. Fans of Marvel's Ultimate Universe looking for something outside the House of Ideas, this is your book.

Bloodshot #1

Bloodshot #1

"Dunk Tank"

Writer: Duane Swierczynski

Pencillers: Manuel Garcia with Arturo Lozzi

Inks: Stefano Gaudiano

July 11, 2012

Valiant 

Bloodshot #1 marks the return of one of Valiant's most successful characters, and a strong debut from writer Duane Swierczynski (Birds of Prey) and his art team of Garcia, Lozzi and Gaudiano. 

There are about five or six different plot twists in this first issue, constantly keeping readers on their toes, but making it difficult for anyone to talk about it without revealing some spoilers. 

For those who are unfamiliar with this character, here are the basics: Bloodshot is a man whose blood has been infused with billions of nanites, microscopic robots that enhance his strength, speed and reaction time, heal wounds, communicate with computers or computerized machinery, and change his physical shape for a short period of time. 

These nanites obviously give him a huge advantage over his enemies, and in Bloodshot #1 Swierczynski and co. show us just how effective an elite solider like Bloodshot is. 

This issue has Bloodshot called in from reserve duty to rescue an American P.O.W. from a Afghan terrorist cell, but he is blown out of the sky by a rocket almost as soon as he parachutes out of his helicopter. To say much more about the plot of this book would be spoiling too much, but needless to say, this is a complete reboot of the character that will not only appeal to fans of the original, but will bring new readers in without needing to know anything else. Readers are also likely to know about as much of Bloodshot as he knows about himself, if that tells you anything. 

One of he things I loved about this comic was how the first page on the inside cover gives a detailed description of the nanities and their various capabilities. It instantly informs the reader what the character is capable of, and makes watching those powers in action all the more exciting.That this book can give you so much information on the first page and yet keep you guessing how it will end all the way through is a testament to Swierczynski's skill as a writer, and I'm very excited by the plot he is constructing with this title. 

The art in this book was also very good, and I have to commend Valiant for pairing their writers and artists together so well during this relaunch. The action flows really quickly between the panels, and more than a few pages left me just admiring the art direction. 

My only gripe was that sometimes the figures were rendered in this somewhat realistic, very smooth style, and then at other times the characters had a much more gritty texture. It wasn't a major issue, but it took me out of the book momentarily. 

Bloodshot #1 is an action-packed comic with some cool sci-fi concepts, inspired plot twists, and clear connections to other relaunched titles in the new Valiant Universe. 

If the second last page of this issue doesn't leave your jaw hanging open, I don't think Bloodshot is for you.