Preview: H.A.R.D. Corps to Return in Harbinger Wars

The upcoming Harbinger Wars mini-series is already my most-anticipated comics event of the summer, but my enthusiasm has just reached a fever pitch with Valiant's announcement today that the H.A.R.D. Corps will be debuting in the new Valiant Universe in Harbinger Wars #3.

I was just reading the original, chromium cover H.A.R.D. Corps #1 this weekend, and was reminded just how great of a concept this series had, and how well it could do in the present Valiant Universe if executed properly by the right creative team.

The Harbinger Active Resistance Division (or H.A.R.D. Corps) are a mercenary outfit employed by Omen Industries, a corporation with an opposing interest to those of Toyo Harada and the Harbinger Foundation.  The H.A.R.D. Corps themselves are comprised of ex-military vets who have been awakened from comatose states, and given the option to live again and work for the H.A.R.D. Corps.  They're granted Harbinger powers from a computer network named Softcore, and can use any number of powers, one at a time.  The catch is that each member of the H.A.R.D. Corps is implanted with a kill switch, that will cause their heads to explode if they are caught or go rogue.

With the war between Project Rising Spirit and the Harbinger Foundation bringing the corporate espionage of the Valiant Universe to the forefront in this crossover, it'll be very interesting to see how the H.A.R.D. Corps are going to affect this dynamic, or what role they will play.

In short, F.U.C.K. Yes, H.A.R.D. Corps!

Christian's Week in Comics 11/14/12: Saga, Thor, Bloodshot and more!

OK.  Holy hell did I ever buy a bloody lot of comics today.  Right.  So instead of doing three or four mini-reviews in my "Week of Comics" thingy, I'm going to try and keep my thoughts on each book to a minimum, and assign a little number rating out of five (people apparently like numbers- I am allergic to mathematics).  Alright, enough with the preamble!

Batman #14
"Funny Bones"
Writer: Scott Snyder
Artist: Greg Capullo
DC

I'm just going to say it right now, this is the best Joker story in years.  Snyder and Capullo have stepped out of the shadow of Heath Ledger and a delivered a chilling new version of the Man Who Laughs that has more in common with Freddy Krueger than any former incarnation of the Clown Prince of Crime.

This isn't an issue you want spoiled, so go to Comixology or your local comic shop and read it for yourself, or else the Joker is going to keep hitting Alfred Pennyworth with his hammer, and God only knows what he's done to Alfred's eyes.   Story: 5 Art: 5

X-Men Legacy #1
"Prodigal"
Writer: Si Spurrier
Artist: Tan Eng Huat
Marvel

People (if they can be so generously described as "people") like to complain a lot about how the Big Two never take risks, and then proceed to not support the books that Marvel and DC publish that challenge this preconception.  I hope I am wrong, because X-Men Legacy is one of the riskiest damn books Marvel could have decided to publish as part of its Marvel NOW event.

For starters, it's a book by a relatively unknown writer from the UK, Si Spurrier, drawn by another unknown artist, Tan Eng Huat, and stars David Haller, a mentally ill mutant with a serious case of disassociative identity disorder otherwise known as Legion.  It's also as mad as Spider Jerusalem's acid flashbacks.  Although careful readers will be able to make sense of what's going on inside and outside of Legion's crazed head, Spurrier and Huat seem determined to blur the lines between reality and the Qortex Complex, the brain-jail where Haller has locked up all the deviant psycho-personalities lurking in his skull.

This is a great book for new readers to get into, and if you find yourself pining away for the days when crazed men from across the pond like Warren Ellis and Grant Morrison used to scribe for Marvel, this is the X-book for you. Story: 4 Art: 3.5

Saga #7
"Chapter Seven"
Writer: Brian K. Vaughn
Artist: Fiona Staples

Ah, can you feel that? It's the collective sigh of relief from thousands of readers who can finally breathe easy because the greatest comic being published right now is back from its three-month hiatus. Yes, Saga is back, and despite the break, this book hasn't missed a step.  Picking right up from where issue #6 left off, Marko's parents have arrived and are not very pleased with his choice of life partner.  After a masterful look into the war-torn past of Marko's father, which really serves the anti-war metaphor that underlies the entire book, Vaughn and Staples split the parents up with the newlyweds, leading to some great moments between characters.

I'll admit I was little worried when Saga first went on hiatus, but now that it's back, I realize I had nothing to fear. If you haven't read the first 6 issues of Saga yet, you'll need to pick up the first trade before jumping on with this arc.

Also: giant swollen alien testicles.    Story: 5 Art: 5

Bloodshot #5
"The Rise and Fall Part 1"
Writer: Duane Swierczynski
Artists: Manuel Garcia Arturo Lozzi
Valiant

Bloodshot is not everyone's cup of tea.  I get that.  It's full of blood and nastiness and mixes its hard military SF with real sociopolitical overtones that can be hard to swallow.  But me, I like my tea bitter (which is kind of apt, since if Bloodshot were a tea, he'd be Earl bloody Grey). This issue finds Bloodshot storming the secret base of Project Rising Spirit, but finds more than he bargained for in the special ops nightmare that is Chainsaw: an early project of PRS' that also attempted to fuse human beings with sharp cybernetic objects.

I love Wolverine and The Punisher, but it seems absolutely redundant reading those books in a world where Bloodshot exists.  Here, you get the best of both worlds.  Bloodshot is basically an indestructible cybernetic Punisher with a head full of secrets that would make Julian Assagne blush.  If brutal, bloody action and modern day military SF sounds like your thing, read this book. Even though this is #5, the helpful back matter on the first page of the book will fill you in on everything you need to know about the series going into this new arc.  Valiant has been doing a great job of making each issue friendly to new readers, and Bloodshot #5 is no exception to that. Story: 4 Art: 3

Thor: God of Thunder #1
The God Butcher, Part One of Five, "A World Without Gods"
Writer: Jason Aaron
Artist: Esad Ribic

Thor is a character who I've always liked as an Avenger, but haven't been interested in reading in his own book.  This changed when I saw preview pages of Esad Ribic's interiors for this new series.  The painterly quality of Ribic's art seems like it was transported out of the pages of some forgotten issue of Heavy Metal and into my Marvel comic, and I absolutely love it.  Sometimes art drawn in this fashion doesn't work as well sequentially, but Ribic's strength as a visual storyteller shines here. He and Aaron make an excellent pair, as Ribic's visuals compliment Aaron's story of Thor across three time periods.  The mood of this story is foreboding, and often eerie. Thor's anger and confusion when he arrives at the atheist planet is palpable, and his dismay when he finds the butchered corpses of the Sky Lords fills the comic with a overwhelming sense of dread and despair.  Epic is a word that gets tossed around quite loosely in geek culture, but in the case of this story, it thoroughly applies.  If I had to pick a favorite moment, it was when the old God-King Thor (heretofore known as O.G. Thor) asks for someone to bring him his metal arm, only to remember that all his servants are dead. Story: 4.5 Art: 5

Birds of Prey #0: Christian Takes on these Kick-Ass Birds

Birds of Prey #0
Writer: Duane Swierczynski
Artist: Romano Molenarr
Inker: Vicente Cifuentes

I have to fess up: I've never read an issue of Birds of Prey before. I know, I know. I've heard great things, especially about Gail Simone's run on the series, but at the time she was writing it I just wasn't reading DC Comics. I never saw the ill-fated WB series either.

When DC launched the New 52 last September, Birds of Prey just wasn't one of the comics I picked up. I didn't have the budget for it, I hadn't read any of Duane Swierczynski's work (prior to his current run on Bloodshot), and I wasn't previously a fan of any of the characters in the series. Therefore, it went unread by me, until Courtney picked this book up today because it had a cameo appearance by Batgirl.

As a single issue comic, I have to say I really enjoyed it, even though I don't really know more about the Birds of Prey and their team members than when I first started reading.

This is sort of the problem with these #0 origin issues. They're meant to act as a jumping on point for new readers, but they're also interrupting the regular schedule of the books, forcing fans to wait another month while the storyline goes back in time to show how everything began. That's what this issue does, it shows the series of events that lead to Black Canary and Starling to team up with Batgirl and form the Birds of Prey.

Still, as a new reader to this book, I don't really know anything about these characters other than Black Canary has sonic powers and Starling likes to slap her on the bum occasionally.

Swierczyski is a very underrated writer in my opinion, and his storytelling in this issue reminds me of Gail Simone's work on Batgirl. It's really refreshing to actually spend some time reading a comic book, rather than just speeding through large-scale decompressed action scenes like in so many mainstream comics. The story is narrated through Black Canary's inner monologue, and while some might find this to be an outdated storytelling method, I think it's great. Even if I don't know much about Black Canary's history, I know what's going on inside her head, and I love that.

I'm not familiar with any of Romano Molenaar's previous artwork, and while I wasn't really wowed by the art in this issue, I thought it served the story fairly well. The structuring of the panels is odd. It seems to be house style lately at DC to fragment the panels on the page with no rhyme or reason except to emphasize whatever actions seem appropriate at the time, but it's not nearly as all over the place as say, Red Hood and the Outlaws.Molenaar's character work is pretty good though. The women in this comic manage to be both muscular and sexy without being objectified, with the sole exception being one "pause for the camera" pose near the end of the issue.

I can see how this issue might not be effective in bringing in new readers to Birds of Prey, but I enjoyed it. Birds of Prey is a comic that deliberately mixes high octane action with sex positive feminism, and I can get behind that.

Advance Review: Bloodshot #2

Bloodshot #2
"Get Your Gun"
Writer: Duane Swierczynski
Artists: Manuel Garcia & Arturo Lozzi
August 15, 2012
Valiant

What an insanely good issue. Sure, I was expecting to like Bloodshot, having read and enjoyed issues of the original series, but this reboot is a nanite-powered kick to the face, and my favourite new series in the Valiant universe.

Manuel Garcia and Arturo Lozzi's art in this issue is exactly what it needs to be, fast, visceral, gory, and innovative, with a mixture of perspective throughout that always keeps the book as interesting visually as the story is mind-bending. The action flows seamlessly throughout this issue, without pause until we get two key scenes, one from Bloodshot's former masters at Project Rising Spirit, and another scene with the rebel factor of Dr. Kuretich that reveals some crucial information about the kind of secrets that Bloodshot is carrying around in his poor, messed-up head.

We learn a lot more about the needs and limitations of the nanites coursing through Bloodshot's veins in this issue, including what happens when the "Goldies," as they're called, get hungry. Perhaps more importantly, for readers concerned that Bloodshot was functionally immortal and could never be killed, therefore removing any sense of danger from the story, we learn that total decapitation and exhaustion from too much abuse on the nanite system might do the trick.

Bloodshot is a trained killer, and in this issue it really shows. He doesn't fuck around. He kills quickly and with brutal efficiency. This issue opens with a jaw-dropping fight scene where Bloodshot takes on a group of attackers while bare ass nude, and the scene emphasizes his combat training while also showing the character struggle against his own inhumanity. Bloodshot is seriously injured several times during the fight, but he keeps fighting on through the pain, egged on by false memories programmed to act as "psychic anaesthesia."

More so than in the original series, Bloodshot is a ghoulish science experiment wanting desperately to be a real person, and leaving nothing but utter carnage in his wake, making him much more of a sympathetic and tragic character. This is especially the case after it's revealed that he has unwittingly committed atrocities for Project Rising Spirit, including the slaughter of an entire city after PRS' experiments led to a disastrous "Grey Goo" incident, hinted at on the inside cover of the first issue.

Duane Swierczynski has managed to tell a story that seriously examines the psychological implications of being used as a immortal killing machine/meat shield by a government organization, without sacrificing any of the story's action for the sake of storytelling. I was hoping that this new take on the character would invest time in depicting exactly what it means to be a "person" like Bloodshot, and in that regard, this series has not disappointed so far.

For reasons that are unlike why I am also enjoying Harbinger, X-O Manowar, and even Archer & Armstrong, Bloodshot is my favourite ongoing Valiant title. After just two issues in, this fast-paced series is shaping up to become one of my favorite monthly titles, period.

If you were unimpressed with the first issue of this series, or just wasn't sure about whether or not you wanted to read this book because of your impression of the character or the story, please give this title another look.

If all you remember about Bloodshot is that he was another bad-ass character from the 90s with "Blood" in his name like Youngblood, Bloodstrike, et al, forget everything you think you know about the character and read these first two issues.

Preview: Bloodshot #2

Courtesy of Valiant Entertainment, here's an exclusive preview of Bloodshot #2!

Bloodshot #1 was my favorite of the Valiant #1's so far, and I can't wait to see where this series is headed next!

Preview Page 1

Preview Page 2

Preview Page 3

Preview Page 4

Preview Page 5

Variant Cover

Bloodshot #1

Bloodshot #1

"Dunk Tank"

Writer: Duane Swierczynski

Pencillers: Manuel Garcia with Arturo Lozzi

Inks: Stefano Gaudiano

July 11, 2012

Valiant 

Bloodshot #1 marks the return of one of Valiant's most successful characters, and a strong debut from writer Duane Swierczynski (Birds of Prey) and his art team of Garcia, Lozzi and Gaudiano. 

There are about five or six different plot twists in this first issue, constantly keeping readers on their toes, but making it difficult for anyone to talk about it without revealing some spoilers. 

For those who are unfamiliar with this character, here are the basics: Bloodshot is a man whose blood has been infused with billions of nanites, microscopic robots that enhance his strength, speed and reaction time, heal wounds, communicate with computers or computerized machinery, and change his physical shape for a short period of time. 

These nanites obviously give him a huge advantage over his enemies, and in Bloodshot #1 Swierczynski and co. show us just how effective an elite solider like Bloodshot is. 

This issue has Bloodshot called in from reserve duty to rescue an American P.O.W. from a Afghan terrorist cell, but he is blown out of the sky by a rocket almost as soon as he parachutes out of his helicopter. To say much more about the plot of this book would be spoiling too much, but needless to say, this is a complete reboot of the character that will not only appeal to fans of the original, but will bring new readers in without needing to know anything else. Readers are also likely to know about as much of Bloodshot as he knows about himself, if that tells you anything. 

One of he things I loved about this comic was how the first page on the inside cover gives a detailed description of the nanities and their various capabilities. It instantly informs the reader what the character is capable of, and makes watching those powers in action all the more exciting.That this book can give you so much information on the first page and yet keep you guessing how it will end all the way through is a testament to Swierczynski's skill as a writer, and I'm very excited by the plot he is constructing with this title. 

The art in this book was also very good, and I have to commend Valiant for pairing their writers and artists together so well during this relaunch. The action flows really quickly between the panels, and more than a few pages left me just admiring the art direction. 

My only gripe was that sometimes the figures were rendered in this somewhat realistic, very smooth style, and then at other times the characters had a much more gritty texture. It wasn't a major issue, but it took me out of the book momentarily. 

Bloodshot #1 is an action-packed comic with some cool sci-fi concepts, inspired plot twists, and clear connections to other relaunched titles in the new Valiant Universe. 

If the second last page of this issue doesn't leave your jaw hanging open, I don't think Bloodshot is for you.