So many comics, so little time.

As Courtney mentioned last week, we haven't quit reading comics (you'd have to pry them from my cold dead  hands!) but between getting sick with the flu for a week, writing our theses, and starting a new full-time job, we have very little free time to update this blog.  We're not about to give up blogging, but you can expect our posts to be more infrequent until things quiet down.

I've also been cutting a lot of the fat from my pull list, as DC continues to bore me with what I've felt are a lot of really mediocre comic books.  Clearly there is a lot of restructuring going on  there, what with people being let go and then rehired, and then books being announced only to be cancelled before they are published. Something is clearly rotten in the state of Denmark, but in my opinion you could tell that from the low quality titles they've been publishing for the last few months. Once the Rotworld  story arc ends in Animal Man and Swamp Thing, I'll be dropping both of those titles, I doubt Dial H has much of a future, considering how quickly DC is cancelling low-selling titles these days.  If I'm really honest, the only book I'm really enjoying from DC right now is Wonder Woman.

Marvel Now, on the other hand, has been a huge surprise. There are a lot of comics I'd like to read but won't for budgetary reasons, but a lot of titles I've taken a chance on (FF, Avengers Arena, Deadpool, All New X-Men) have been routinely entertaining.  All New X-Men is my most-anticipated book every month, which is something I never thought I'd say.

My enthusiasm for Valiant comics has been cooling off over the past few months. X-O Manowar and Bloodshot just were not meeting my expectations, and neither has Shadowman, so I've dropped each of them from my pull list.  Harbinger has been getting better with every issue, and from a story perspective, is one of the best mainstream comics being published today. My only issue with Harbinger is the art often looks rushed and inconsistent. Warren Simons, get a regular artist on this book now! Archer and Armstrong was the title I was looking forward to the least when it was first announced, but it's actually a lot of fun, and is maybe the most consistently good book Valiant is putting out each month.

Last year everyone was raging about  Image Comics and creator-owned books, and while I am all for more independent creators, not many of the books Image is publishing these days appeal to me. Of course I'm still reading Saga, Prophet, and The Manhattan Projects, but beyond that? I would love to read more Image Comics, but honestly, they're just not publishing a lot of books that appeal to me lately.

So what am I most enthusiastic about lately? Well, that would be my growing stack of hardcovers and trade paperbacks.  I went a little overboard during the holiday season, and now have a ton of books that I still have to read. I rediscovered my love for Alejandro Jodorowsky's comics last year when a friend of mine gave me a copy of Screaming Planet as a Secret Santa gift, not knowing that years ago I was completely gaga for all the Humanoids stuff back when they still had a distribution deal with DC. Now, Humanoids Inc. has retrieved all the publishing rights to their stuff, and have been re-releasing their comics in ultra-rare, premium oversized hardcovers.  Just in the past month alone I've purchased The Incal, Before the Incal, Megalex, The Technopriests: Supreme Collection, The Metabarons: Ulimate Collection, and The Metabarons: Supreme Collection, all in their hardcover glory.  Of those, I've only had time to re-read The Metabarons, and about half of The Technopriests.

I could go on and on forever about the greatness of Jodorowsky and his sci-fi epics, but needless to say, if you've never read The Metabarons or any of the comics I've just mentioned, go buy them before their disappear again. It could be years before they become available again in English, and they are some of the greatest sci-fi epics ever written in the medium.

As if all that wasn't enough, I've started going back to the Judge Dredd Complete Case Files that I bought last summer, and have been rediscovering my love of Dredd. I think I went about reading those graphic novels the wrong way last summer. As much as I appreciate having been able to read some of Dredd's earliest adventures in The Complete Case Files Vol. 1, I would really recommend that new readers not start with that first volume, but instead, start with one of the mega-arcs like The Cursed Earth, The Day the Law Died, The Apocalypse War, or Judge Death.  Speaking of Dredd, lately I've been discovering a lot of the 2000AD stuff that, being a Canadian, I've never really had the opportunity to read. In particular, I've really been enjoying what I've read of Pat Mills' work on ABC Warriors and Nemesis the Warlock. Unfortunately, it looks like a lot of the ABC Warriors stuff is very hard to find, and very expensive.

Oh yeah, and I've got Matt Wagner's Grendel Omnibus, Volume 2: Devil's Legacy to read as well.

So what am I doing wasting my time writing here, I've got comics to read!

Supercrooks 4: Not with a Bang

Supercrooks #4
"The Big Finale"
Writer: Mark Millar
Artist: Leinil Yu
ICON
Aug 22, 2012

Did you know that Supercrooks was only a 4-issue mini? I guess I should have checked Marvel's solicitations for August more carefully, because I had no idea this miniseries was ending so soon. Well, it's here, it's 42-pages, and it costs 4.99 (yikes!).

I might have been caught off guard by this book's sudden finish, but I wasn't really all that surprised by what I found inside. Millar has been building up this Ocean's Eleven-with-supervillains premise since the first issue, and finally we get to set how it all plays out. And surprisingly, there were very few shocks or surprises to be had.

I don't want to suggest that Millar has gone soft, but despite a twist near the end of the issue where "everything you thought you knew was (sort-of) wrong," this was a very straightforward story.

Super Crooks just doesn't pack the same punch as other recent minis by Millar like Superior or Nemesis, and it's a far cry from Wanted. It's not a bad story, but it just wasn't all that memorable either. After the wait  between issues, the only characters I could still name were Jonny Bolt and The Bastard. I even forgot why the super cons were trying to rip off The Bastard in the first place.

Leinil Yu is becoming one of those "love him or hate him" artists, which I don't really get, because I think he is perfectly adequate. That makes him a perfect fit for this book, because it's not bad, but it's not really good either, it's just okay.

I like Mark Millar's comics, and agree with Courtney that (when it comes out) Hit-Girl is one of the best comics on the stands. Oversized or not, this isn't worth your 4.99.