Showing posts with label Image. Show all posts
Showing posts with label Image. Show all posts

Tuesday, November 6, 2012

What We're Reading: 11/06/12

So you might have noticed that it's been awhile since Courtney has posted anything on this site.  She still intends to write for the blog, but unfortunately, she and I have both been really busy as of late.  She just returned from the Sirens Conference a few weeks ago, and has been playing catch-up ever since. You can read about her experiences at the Sirens Conference here.

As I've probably said a dozen times before now, graduate school is just leaving us both feeling mind-wiped as we're working on our thesis projects.  We barely have enough energy at the end of the day to read our comics, let alone write about them afterwards.  She hopes to do more writing here in the future, and I'm not going to stop encouraging her to do so, but don't expect her to post regularly until the semester is over.

In any event, even if we're not going to review all of them, here's what we're looking forward to reading this month:
  • Animal Man #14 (DC)
  • Archer & Armstrong #4 (Valiant)
  • Batgirl #14 (DC)
  • Bloodshot #5 (Valiant)
  • Captain America #1 (Marvel)
  • Colder #1 (Dark Horse)
  • Deadpool #1 (Marvel)
  • Dial H #5 (DC)
  • Earth 2 #6 (DC)
  • Harbinger #6 (Valiant)
  • Hit-Girl #5 (Icon)
  • Masters of the Universe: The Origin of Skeletor #1 (DC)
  • Prophet #32 (Image)
  • Saga #7 (Image)
  • Shadowman #1 (Valiant)
  • The Secret Service #5 (Icon)
  • Swamp Thing #14 (DC)
  • Thor: God of Thunder #1 & #2 (Marvel)
  • Uncanny Avengers #2 (Marvel)
  • Wonder Woman  #14 (DC)
  • World's Finest #6 (DC)
  • X-O Manowar #7 (Valiant)

Wednesday, August 29, 2012

Prophet #28: Live Free or Die Hard

Prophet #28
Story: Brandon Graham with Giannis Milonogiannis and Simon Roy
Art: Giannis Milonogiannis
Colors: Joseph Bergin III
Aug 29, 2012
Image

Disclaimer: if you haven't read the first 7 issues of Prophet stop reading now. Go to Amazon.com, do yourself a favor, and buy Prophet Volume 1: Remission. It costs $10, and contains six issues of one of the best comic stories of the past decade.

There.

Now for the rest of the Prophet faithful (or those who just need some more convincing that a Rob Liefeld concept could possibly be worth their time), let's dig into this issue and see what Graham and co. have in store for us this month.

First off, let's talk about the cover. Look at that cover! Yes, it's a redesign of the original cover to Rob Liefeld's Prophet #1, only with a cro-magnon looking Prophet who is more like the clone we first meet in issues #21-23. Look at how intense and violent he is, with a knife and arrow stuck into him, and sharpened bones strapped to his back.

If you'd never read Prophet before, you'd probably think "man, this issue looks totally EXTREME!"

Settle down, 90s kid, this issue is nothing like that.

No, this issue continues the story from #27, as Great Grandfather Prophet and his Kinniaan friend Brother Hiyonhoiagn travel towards Earth while gathering up the scattered parts of their mechanical comrade, and former Youngblood member, Die Hard. In the early issues of this series, it was very unclear where it was going and what it was about. The first three issues had a fairly straightforward narrative, but as more and more facts about the greater context of the story emerged, it seemed to be a much more insignificant part of a larger  narrative fabric.

With issues #27 and #28, I finally feel like Brandon Graham and his co-creators are making the direction of this series much clearer than it has been, with the original John Prophet, the Great Grandfather to the Earth Empire's clone army, travelling the galaxy and searching for his friends from the last great war, as the Prophet clones work towards reviving the Earth Empire.

The emergence of John Prophet from the drill-pod in the first issue signalled the arrival of the Prophets as an almost violent incursion on nature itself. The very first thing he does is brutally kill a natural predator with an Empire knife. The world of Prophet is one that has moved beyond humanity, and is the better for it. My point is, the return of the Earth Empire is signified through violent action and a disturbance of the natural order.

The Old Man Prophet seems to know this also. I think it's particularly telling that of all his companions we've seen so far, Brother Hiyohoiagn, Die Hard, the robot from #26 and the lizard lady from the last issue whose names I can't remember, none of these characters are human.

So what about this issue? Well, the art continues to be excellent. I know that some Prophet fans prefer Simon Roy's work on the title over Giannis Milonogiannis' manga-inspired artwork but personally, I think his style perfectly fits the austere, poetic narrative that accompanies Old Man Prophet's adventure. Also, it's easy to overlook what a great job that Joseph Bergin III is doing on the colours with this book, but you really should, because the colour of this book contributes so much to its tone.


Another interesting thing about this issue is that we learn more about the Dolmantle. The Dolmantle, if you'll remember, is the sentient, blue, slimy thing that the first Prophet used as a breathing mask, as a glider, and even to re-attach a lost limb. I always thought that something was strange about the Dolmantle (besides all those things I just listed), and in this issue we learn that the Dolmantle can exert mental control over its host, as it does to Diehard's missing warbody. This means that in the first three issues, it must have been the Dolmantle which was pushing the first Prophet clone to reach the God satellite at the top of the Thauili Van.

I have a feeling we have much more to learn about the Dolmantles and their connection to the Mothers and the Earth Empire, but it was nice to start seeing more connections to the earlier issues.

I have never read a Youngblood comic in my entire life, but due to its depiction of Diehard, Prophet #28 makes me want to.

I seriously did not mean to spend this much time talking about Prophet #28. It's but a small chapter in a larger post-human space epic. Buy it now and experience a comic book run that fans will be discussing for decades to come. This is rare, excellent stuff.

Wednesday, July 18, 2012

Saga #5: For Fantasy Lovers Everywhere

Saga #5
Writer:  Brian K. Vaughan
Art: Fiona Staples
Image
July 18, 2012

I read the first four issues of this series all in one go and was then really sad that I had to wait for the fifth.  The main aspects that drew me in were: 1) the relationship between Alana and Marko; 2) the world-building; 3) there are characters with tvs as heads! And the pictures change according to how they feel!; and 4) The Will became far more likeable than I expected.

So, all of those basically boil down to excellent character development and a really intriguing exposition of the world these characters live in.  What's even better is that neither of these aspects overpower the other.  The reader is given just enough information about the world and the characters to understand what's going on but you can tell that there's a lot we haven't been told yet, which means I have to keep reading!

The things I liked in the first four issues have carried on into the fifth; I really care about these characters.  When there was even an inkling of a possibility that Alana and Marko might die, I was primed and ready to throw down the comic and stomp on it if that occurred.  The best thing about this couple is that they act and talk like a real, new couple (even though Marko has horns and Alana has wings).  They're in love, but still growing up and finding things out about each other, and even though they're scared to begin a new life together and they're still trying break bad habits for the sake of their baby, they're going to fight like hell to protect their family.

It's even possible to be sympathetic with the tv heads and the assassins in this comic, especially with the princess' news and a shocking ending for The Will and The Stalk. 

Fiona Staples has done a great job on the art as well.  The panels are precise and detailed, even pretty, despite the bizarre creatures.  However, that's not to say that she shies away from gruesome moments either.  Marko's fight scene is brutal and the very last page of this issue will both captivate and repulse you.

If you're a fantasy fan and you haven't picked up this comic already, you need to get yourself to a comic book store ASAP and read this comic!

Monday, July 16, 2012

Coming this Wednesday

Coming this Wednesday, 
Reviews of:

  • Extermination #2 (Boom! Studios)
  • Saga #5 (Image)
  • X-O Manowar #3 (Valiant)
And maybe Captain Marvel #1, if I can get over how much I dislike the idea of this reboot. 

Thursday, July 12, 2012

Revival #1: Christian's Opinion on Image's Other Zombie Comic

Revival #1
Writer: Tim Seeley
Art: Mike Norton
Cover: Jenny Frison
July 11, 2012
Image

It's probably bad luck to release a comic involving zombies on the same day as The Walking Dead #100, but this first issue from a new series by writer Tim Seeley (Hack/Slash) and artist Mike Norton does a good job of distinguishing itself from other zombie comics on the stands.

Courtney mentioned that she really liked the female characters in this book, and I've got to agree there. Dana Cypress is a likeable, interesting protagonist, and avoids many of the cliche's used to portray female law officers in comics, or most media for that matter. More comics need strong female characters like this.

I didn't mind the use of small town aphorisms or the incorporation of modern slang as much as Courtney did, but I did think it was a bit weird that they played the "avoidance" card for so long since it is pretty clear within the first few pages that what we are dealing with here are zombies. Even if they're not the rotting, shuffling, Romero-inspired walking corpses that we've gotten used to in the past decade, they're zombies--call them whatever floats your boat.

Like Courtney, I'm also looking forward to the next issue of this. Seeley is setting up an interesting premise with this book. I'm hoping that the constant reference to the Book of Revelations in this series is just a red herring, but if the strong characters in this issue continue to develop throughout the first major story arc, I might consider reading along just to see where Seeley and Norton take these characters.

A new series with an intriguing premise, strong characters, and a fresh take on the zombie comic, Revival is off to a good start. It's not the best debut this week, but still a good comic and definitely worth your $2.99.